Special info:

Due to the measures taken by the Swiss Federal Council in order to restrict the spreading of the corona virus that came into effect on 27th February 2020 and are ongoing, currently any kind of events are banned and concert locations ordered to close until June 8th 2020, while events with more than 1'000 attendees are not allowed to take place until 31. August 2020.

This means that all concerts during this time period cannot take place as previously planned. We are working hard on confirming replacement-dates for all shows, so you can still enjoy your favourite artists, only on another day. We are keeping you updated about each postponed show date individually in the corresponding artist & show information pages as well as via our social media channels. Please refer to these for the accurate status on the concert you wanted to attend.

Stay healthy, follow the recommended hygiene procedures and don’t lose your love for music!

Thank you, your team at Just Because.

Pop, Experimental Anna Meredith

Anna Meredith

Pop, Experimental

“One of the most innovative minds in modern British music ” - Pitchfork

“Silly, striking and smart… Meredith in a nutshell” - The Guardian

“Vibrant and kaleidoscopic in a way few musicians could ever muster... a talent like no other” – DIY

“music for the head, the heart, the ass and the feet” – NPR

“sheer exhilaration” – New York Times

“an intriguing, and unique, crossover success” – The Independent


Arriving three and a half years on from the release of her Scottish Album of the Year Award-winning debut studio album Varmints, FIBS is 45 minutes of technicolour maximalism, almost perpetual rhythmic reinvention, and boasts a visceral richness and unparalleled accessibility.

FIBS is no “Varmints Part 2” — the retreading of old ground, or even a smooth progression from one project to another, just isn’t Meredith’s style. Instead, if anything, it’s “Varmints 2.0”, an overhauled and updated version of the composer’s soundworld, involving, in places, a literal retooling that has seen Meredith chuck out her old MIDI patches and combine her unique compositional voice with brand-new instruments, both acoustic and electronic, and a writing process that’s more intense than she’s ever known. Despite Meredith’s background and skills these tracks are no academic exercise, the world of FIBS is at both overwhelming and intimate, a journey of intense energy and joyful irreverence.

FIBS, says Meredith, are “lies — but nice friendly lies, little stories and constructions and daydreams and narratives that you make for yourself or you tell yourself”. Entirely internally generated and perfectly balanced, they can be a source of comfort and excitement, intrigue and endless entertainment. The eleven fibs contained on Anna Meredith’s second record will do all that, and more besides.

Upcoming Shows