Special info: CONCERTS & EVENTS in the times of the Corona Crisis
DEAR MUSIC & CONCERT FANS

We are glad that, after the last months, during which most cultural events had to be cancelled or postponed as a result of the measures taken by the Swiss Federal Council in order to restrict the spreading of the coronavirus, live concerts are slowly coming back into our lives.

However, despite the official decision to allow events with above 1’000 visitors again as of October 2020, artists and concert organisers still have to deal with constantly changing and regionally differing measures – ranging from new limitations in the canton of Zurich, via registering-apps to mandatory mask-wearing or distancing rules in other places.

Therefore, we advise you to always check the official information of each event-location directly to inform yourself about the most accurate status and regulation of the concert you want to attend. Additionally, we would like to encourage every music-fan to use the Swiss Covid App, as we strongly believe that the more people act responsibly and observe the health-recommendations, the sooner we will succeed as a community to make attending social events secure again.

In the meantime, we are trying to keep you updated as good as possible about any changes in the corresponding artist & show information pages as well as via our social media channels.

Stay healthy, follow the recommended hygiene procedures and don’t lose your love for music!
Thank you, your team at Just Because.

Pop, Experimental Anna Meredith

Anna Meredith

Pop, Experimental

“One of the most innovative minds in modern British music ” - Pitchfork

“Silly, striking and smart… Meredith in a nutshell” - The Guardian

“Vibrant and kaleidoscopic in a way few musicians could ever muster... a talent like no other” – DIY

“music for the head, the heart, the ass and the feet” – NPR

“sheer exhilaration” – New York Times

“an intriguing, and unique, crossover success” – The Independent


Arriving three and a half years on from the release of her Scottish Album of the Year Award-winning debut studio album Varmints, FIBS is 45 minutes of technicolour maximalism, almost perpetual rhythmic reinvention, and boasts a visceral richness and unparalleled accessibility.

FIBS is no “Varmints Part 2” — the retreading of old ground, or even a smooth progression from one project to another, just isn’t Meredith’s style. Instead, if anything, it’s “Varmints 2.0”, an overhauled and updated version of the composer’s soundworld, involving, in places, a literal retooling that has seen Meredith chuck out her old MIDI patches and combine her unique compositional voice with brand-new instruments, both acoustic and electronic, and a writing process that’s more intense than she’s ever known. Despite Meredith’s background and skills these tracks are no academic exercise, the world of FIBS is at both overwhelming and intimate, a journey of intense energy and joyful irreverence.

FIBS, says Meredith, are “lies — but nice friendly lies, little stories and constructions and daydreams and narratives that you make for yourself or you tell yourself”. Entirely internally generated and perfectly balanced, they can be a source of comfort and excitement, intrigue and endless entertainment. The eleven fibs contained on Anna Meredith’s second record will do all that, and more besides.

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