Special info:

Due to the measures taken by the Swiss Federal Council in order to restrict the spreading of the corona virus that came into effect on 27th February 2020 and are ongoing, currently any kind of events are banned and concert locations ordered to close until June 8th 2020, while events with more than 1'000 attendees are not allowed to take place until 31. August 2020.

This means that all concerts during this time period cannot take place as previously planned. We are working hard on confirming replacement-dates for all shows, so you can still enjoy your favourite artists, only on another day. We are keeping you updated about each postponed show date individually in the corresponding artist & show information pages as well as via our social media channels. Please refer to these for the accurate status on the concert you wanted to attend.

Stay healthy, follow the recommended hygiene procedures and don’t lose your love for music!

Thank you, your team at Just Because.

Electronic Mount Kimbie

Mount Kimbie

Electronic

“Love What Survives” is ​the long awaited third studio album from Mount Kimbie. It’s the most confident statement of intent from the boundary-pushing duo yet, and an embodiment of their career-long musical progression.

‘Blue Train Lines’ demonstrates the progression and evolutionary journey the band have embarked on since the release of 2013’s “Cold Spring Fault Less Youth”. The track centres on a motorik rhythm section, heightened and enhanced by long-time collaborator and friend King Krule’s jagged vocal bursts and pulsing synths.

The album is the product of three years of intense creative development, continually honed by the duo writing and rewriting their ideas to form something wholly idiosyncratic and personal. It brings together the voices of their close friends and collaborators - who together represent a corner of the UK’s young artistic talent - James Blake, Micachu and King Krule, within the immersive, unique atmosphere of a Mount Kimbie album.

The record’s expansive nature is indebted to the fact it was made between London where Kai Campos resides and Los Angeles where Dom Maker moved in 2016. The duo would travel back and forth to work together, cultivating ideas in intensive sessions. For Maker, putting down roots in a foreign city with its cultural differences and geographical vastness was alienating at first but it gave fresh perspective and inspiration.

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