Special info: CONCERTS & EVENTS in the times of the Corona Crisis
DEAR MUSIC & CONCERT FANS

We are glad that, after the last months, during which most cultural events had to be cancelled or postponed as a result of the measures taken by the Swiss Federal Council in order to restrict the spreading of the coronavirus, live concerts are slowly coming back into our lives.

However, despite the official decision to allow events with above 1’000 visitors again as of October 2020, artists and concert organisers still have to deal with constantly changing and regionally differing measures – ranging from new limitations in the canton of Zurich, via registering-apps to mandatory mask-wearing or distancing rules in other places.

Therefore, we advise you to always check the official information of each event-location directly to inform yourself about the most accurate status and regulation of the concert you want to attend. Additionally, we would like to encourage every music-fan to use the Swiss Covid App, as we strongly believe that the more people act responsibly and observe the health-recommendations, the sooner we will succeed as a community to make attending social events secure again.

In the meantime, we are trying to keep you updated as good as possible about any changes in the corresponding artist & show information pages as well as via our social media channels.

Stay healthy, follow the recommended hygiene procedures and don’t lose your love for music!
Thank you, your team at Just Because.

Dorian Concept Concert at Schüür, Luzern on SO 06.10.2019

Dorian Concept

SO 06.10.2019
Schüür, Luzern
Concert

Dorian Concept, born Oliver Thomas Johnson, in the early years climbed an ascent perhaps exemplary of this generation’s brightest production talents: after experimenting with production software, piano and saxophone throughout his teenage years, he studied multi-media art at university before catching the internet’s attention with virtuosic video footage of himself shredding on a microKORG and dropping out to pursue music-making more seriously. In the span of a few years he had caught the attention of such sonic agenda-setters as Gilles Peterson, Benji B and Mary Anne Hobbs; released a flurry of EPs; performed with The Cinematic Orchestra at Royal Albert Hall; joined the ranks of other promising upstarts at Red Bull Music Academy; got spotted by Flying Lotus and invited to tour in his live band. After finding a home on Ninja Tune, he enjoyed underground success with the release of an album “Joined Ends”, dizzyingly intricate singles which made the rounds on experimental dancefloors worldwide, and subsequent live touring from Glastonbury to Sonar to MoMA PS1’s Warm Up.

But true to his hometown’s intensely private and self-analytical spirit, Dorian Concept has been wary of the hyperconnectivity and demand for extraversion which defines the contemporary music world. That his name remains a currency in the headiest undercurrents, yet his public presence still so measured and sparse, speaks to a cautious thoughtfulness that belies the characteristic childlike play of his productions. Having spent the past four years largely off the radar – un-learning equipment he famously could play with his eyes closed and reconnecting with a sense of self still mostly shrouded from the world – he re-emerges with the announcement of his signing to Brainfeeder and the forthcoming release of his most evocative album to date. 2018 sees him poised to speak with a voice the world will be delighted to, finally, hear.

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