Lara Fernández (Jérez de la Frontera, 2003) seems to live in the future, but she sings the tradition of the present like no one else. With her project Judeline she understands pop so well that she is able to stretch its limits, touching on everything from territorial heritage to the digitalization of media. In her neo-traditionalist world, the mischiefs cross Gibraltar and the songstresses are polyamorous. And she knows where she needs to be like no-one else. Raised in the eden that is Caños de Meca, in a family that understood the value of music, she learned to hum before she babbled. She is skilled on the piano, the guitar and the Venezuelan cuatro, but also at beats and at pitching. Whether covering Lola Flores, sampling Antonio Carmona or working with producers of the stature of Tainy or Alizzz, she keeps her finger on the pulse and the standards high.
